Fans of Music from the Movies
Join me in London on September 2018 for an evening talk about film music with renowned composers Julian NottĀ and John Lunn! More info here:Ā Fans of Film Music
Join me in London on September 2018 for an evening talk about film music with renowned composers Julian NottĀ and John Lunn! More info here:Ā Fans of Film Music
Looking forward to appearing on a composer panel at the Los Angeles Greek Film Festival with some amazing colleagues of mine to discuss Music in Film.
Happy to be working with LaLeLa and STX ENTERTAINMENT once again – their new music collections are distributed by Universal Music and will feature 18 newly composed tracks of mine!
I had fun time at the red carpet screening of 93 DaysĀ at the Egyptian Theater in Hollywood. It was great to give a couple of interviews about how we approached the score for these real events depicted in the film, and do a Q&A with our visionary director Steve Gukas.
Last week I was interviewed by the Perspective Composer’s Forum. Full article here.
The period dramaĀ soundtrack I composed for ‘The Black Prince’ is also now available on Spotify! Check it out!
“…composer George Kallis is named Breakthrough Composer of the Year for his stellar work writing three enormously impressive scores in 2017: the childrenās fantasy āAlbion: The Enchanted Stallion,ā the historical drama āThe Black Prince,ā and the Russian fantasy epic āPosledni Bogatyr/The Last Warrior,ā all of which impressed members of the IFMCA with their scope and creativity.” For the full article please click here
What an honor to be nominated ‘Breakthrough Composer’ at the IFMCAĀ (The International Film Music Critics Association) awards amongst such talented composers!Ā The prestigious IFCMA awards celebrate the best composers and soundtracks of the year and is comprised of film music journalists and soundtrack critics. For the full article and nominations please visit here
I was delighted to talk about my composing process to MassimoĀ Priviteral for Italian film music siteĀ colonnesonore.net. The full interview can be foundĀ here